While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
One Person, One Vote?
An in-depth look at the Electoral College, its slavery origins, and its impact on society today. The film features four dynamic electors from different parties offering insight into the inner workings of this often-misunderstood institution. A timely, nonpartisan film that will fill a stark information gap in American presidential elections.
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Sleep Training
When a new parent’s postpartum depression devolves into frightening hallucinations, an escape from motherhood is necessary to stay sane –but is abandoning the baby the only way out?
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Seeing Stars
In this genre bending solo musical film, a legally blind writer waits in her eye Doctor’s office suspecting her low but long stable vision may be changing. Fighting fear, she inhabits her own stories of women with limited sight and limitless vision, turning them into stars to light her way.
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AKA Doris Wishman
In a world dominated by male filmmakers, delve into the enigmatic journey of a trailblazing American woman who redefined cinema through her groundbreaking contributions to the realm of sexploitation films.
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Tip/Alli
In 1977, the outing of science fiction author James Tiptree, Jr. (as Alice B. Sheldon) shook the world’s sense of genre fiction as a male domain. Fifty years later, TIP/ALLI reveals the intricate life of expansive gender that produced some of the 20th century’s most celebrated speculations.
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My Name Is Andrea
A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
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Sundays at Café Tabac
Step into the electrifying realm of radical glamour, where Sundays at Café Tabac immortalizes the iconic lesbian night that lit up New York’s East Village from 1993 to 1995. A vibrant celebration of diversity and unapologetic self-expression, this unforgettable gathering not only transformed lives but also mirrored the surge of visibility that sent shockwaves through mainstream media—during a time when being seen was a matter of survival.
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The Dreamer's Daughter (working title)
As her family travels America in an RV, teenage Leilani is torn between her father’s dream of freedom and her desire for a normal teenage life.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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Devi
Devi, a former guerrilla fighter who survived wartime rape, decides to fight for justice.
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I AM NOT A SPY
I AM NOT A SPY is a first-person documentary exploring the Russian electoral process under Putin’s regime. A Russian-American filmmaker gains access to her local polling station during multiple elections to investigate their validity and understand the mindsets of voters as Russia becomes increasingly authoritarian and invades Ukraine.
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Work While You Have the Light
Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working.
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None of This Matters
Struggling filmmaker Shaina Feinberg travels to Maine to interview trailblazing TV director and teacher Joan Darling, now 90. But over years of filming, the intended biopic transforms into an intimate vérité portrait of two artists at different points in their lives, finding unexpected connection.
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We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
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Hyde Park
Bound by a legacy of toxic soil and systemic neglect, three families in a historic Black neighborhood in Augusta, Georgia, wage a decades-long battle against seven industrial giants to survive. Through their unrelenting pursuit and activism, they navigate a grueling seven-year relocation to reclaim the health and dignity they deserve.
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May It Be A Girl
MAY IT BE A GIRL is a film about the personal search for the identity of Kazakh women, who were named, according to an ancient tradition, by their parent’s wishes for them to be born as a son.
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Index:Trace
Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
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TO HOLD A MOUNTAIN
In the pristine mountains of Montenegro, a semi-nomadic mother and daughter defend their herding tradition and their land from becoming a NATO military training ground. A gripping family and environmental drama unfolds, as the story of violence against women echoes that of violence against nature.
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